Flemish engravers Abraham van Diepenbeeck (1599-1675) was an erudite and accomplished painter of the Flemish School. He was born in 's Hertogenbosch, the Netherlands. After having received a classical education he became one of Rubens' best pupils and assistants. He handled mythological and historical subjects, as well as portraits, with great skill and vigor and was a good, sound colourist. He went to Antwerp about 1629 and made his first successes in painting on glass, among his productions being windows in the cathedral there representing the "Acts of Mercy". Similar work at the church of the Dominicans shows scenes from the "Life of Saint Paul". Van Diepenbeeek was admitted to the guild of painters in 1638, and became director of the academy in 1641. It was after a visit to Italy that the artist began to paint chiefly in oil and to illustrate. Among his illustrations are fifty-eight designs engraved by Cornelis Bloemaert for the Abbe de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck was in England where, besides painting portraits of the Duke of Newcastle and his family, the artist illustrated that nobleman's book on "Horsemanship". ...more on Wikipedia about "Abraham van Diepenbeeck"
Gerard Edelinck ( 1649 - 1707), Flemish copper-plate engraver, was born at Antwerp. ...more on Wikipedia about "Gerard Edelinck"
Hans Collaert (c. 1545 - 1628), Flemish engraver, son of Adrian Collaert, a draughtsman and engraver of repute, was born at Antwerp. ...more on Wikipedia about "Hans Collaert"
Philip Fruytiers ( 1627- 1666), Flemish painter and engraver, was a pupil of the Jesuits' college at Antwerp in 1627, and entered the Antwerp gild of painters without a fee in 1631. ...more on Wikipedia about "Philip Fruytiers"
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